DC HAT LADY

EYESWIDE OPEN

Vanilla Powell Beane - a life in hats, movement, and presence.

THE WOMAN BEHIND THE SCULPTURE

VANILLA POWELL BEANE

Vanilla Powell Beane was known as the DC Hat Lady. Her extraordinary hats became expressions of her imagination, her individuality, and the joy she brought into the world.

I wanted to capture something beyond her physical appearance.

The hats rise in a spiral. Her hair seems to move with them. Her eyes are wide open. The entire figure seems charged with energy.

This is a sculpture of a particular woman, with a name, a history, and a remarkable life.

But it is also my attempt to give her extraordinary spirit a physical presence.

THE SCULPTURE BEGINS TO MOVE

THE HATS BECOME A DRAWING IN SPACE

The hats do not sit still. They orbit her. Ribbons of metal rise, turn, cross and return, carrying the eye around the figure.

THE GESTURE

SHE’S ON FIRE

A life too exuberant to stand still.

Transcendence through exuberance.

THE FACE

EYES WIDE OPEN

The eyes are wide enough to resist a single reading.

They can hold contradictory states at once:

JOY AND VIGILANCE

SUCCESS AND VULNERABILITY

EXUBERANCE AND FEAR

BEING SEEN AND THE DANGER OF BEING SEEN

This is not what her eyes mean. It is what the sculpture is capable of holding.

THE DETAILS CARRY THE LIFE

LOOK CLOSER

Heart underfoot

A hat built as sculpture within sculpture

SCALE AND PRESENCE

MONUMENTAL

Monuments are usually made to tower over us.

Vanilla doesn't.

The sculpture is intimate, almost jewel-like. You come closer to see the hats, the copper, the movement, the eyes.

And somehow, the closer you come, the larger she becomes.


Scale can overwhelm you.

It can't make you care.

Monumentalness isn't how much space

a sculpture occupies.

It's how much space it occupies in you.